Apr 14, 2013

Call for Presentations on Obsolescence and Orphan Films


Orphans 9

The 9th Orphan Film Symposium
March 30 - April 2, 2014
@ EYE 
in Amsterdam


New York University Cinema Studies joins with EYE (Film Institute Netherlands) and the University of Amsterdam for the ninth international gathering of archivists, curators, scholars, preservationists, and artists devoted to screening and discussing  orphan films (i.e., an eclectic variety of neglected moving images). Film, video, and digital works from around the world will be projected in the magnificent EYE building in Amsterdam, all presented with context provided by expert speakers and creative accompanists. 

Call for Presentations: 
The Future of Obsolescence


The theme of “Orphans 9” is obsolescence, broadly conceived. We invite proposals for presentations on the histories and futures of film and other moving image media. The symposium will consider not only technological and format obsolescence, but also the ways that audiovisual media have recorded and deployed ideas, content, representations, genres, narratives, fashions, and ideologies deemed obsolete or outdated. What neglected cinema artifacts or orphaned media should we re-view and reconsider in order to better understand the world? How should preservationists, archivists, historians, curators, and scholars deal with film and obsolete “new media”? What orphan films document these phenomena and issues? What does “media archaeology” teach us? How are artists, producers, and others using, reviving, and transforming remaindered film and video material? How do archives, museums, libraries, schools, cinematheques, and sister institutions participate in the remix culture of recombinant media 2.0? 


Throughout the three days and four nights of the symposium, selected speakers will lead presentations, screenings, and discussions. Proposals that include the screening of rare, rediscovered, or recently preserved works are encouraged. New media productions using archival or abandoned material are sought for the symposium’s screenings as well, as are technical presentations on moving image archiving and preservation. 

E-mail questions and proposals to Dan.Streible@nyu.edu. First round of proposal review begins June 28, 2013. For more information and updates, visit www.nyu.edu/orphans.








NYU | Cinema Studies | MIAP                   UVA Media Studies | P&P


Apr 13, 2013

The Academy takes a Close Look at Orphan Films (May 10-11, 2013)


Join us!  

30 films in 27 hours! 34 speakers! a lunch! a reception! in Hollywood! all for $20! 


See and hear Dino Everett project motion-picture film  on a 1929 model Bristolphone 16mm sound-on-disk projector

+
premieres of new preservation on films such as
The Bishop of Hollywood (Hollywood Comedies, 1924) rediscovered short 
Exploratorium (Jon Boorstin, 1974) introduced by the director
Mission to Mongo (Jim Hoberman, 1978) from Anthology Film Archives
The Love Charm (1928) two-strip Technicolor; NFPF New Zealand rediscovery
City Harvest (OWI, ca. 1943) "victory gardening" in Chicago's ethnic neighborhoods 

+
varieties including 
A Place to Stand, 70mm multiscreen film for Expo '67
with home movies of Expo 67assembled by Walter Forsberg 
Transformations (Ralph Sargent for IBM, 1968) introduced by the director
Hey Mama (Vaughn Obern, 1969) UCLA student film about Black Venice
Naked Yoga (Paul Cordsen, 1974) excerpt, Best Documentary Short Subject
Lead In (Thom Eubank and Saundra Sharp, 1981) wraparounds for B.E.T.



speaking. . . .


Academy curators: Cassie Blake, Ed Carter, Tessa Idlewine, Lynne Kirste, Josef Lindner, Heather Linville, Brian Meacham, Sean Savage, and Mark Toscano, with May Randy Haberkamp, Haduong, and Mike Pogorzelski.

Media makers:  Jon Boorstin, Rob Epstein, Robert Fiore, Jeffrey Freidman, Rick Prelinger, Ralph Sargent, S. Pearl Sharp, and Penelope Spheeris.

Archivists/scholars/curators/etc.:   Snowden Becker, Hadrian Belove, Dino Everett, Dennis Doros, Walter Forsberg, Jan-Christopher Horak, Priya Jaikumar, Liz Keim, Jeff Lambert, Kathleen Maguire, Ross Melnick, Mark Quigley, Jacqueline Stewart, Dan Streible, Todd Wiener, and Chuck Wolfe.

Mar 20, 2013

US Premiere of "Nëntori i dytë" (The Second November)


Quick: name your favorite Albanian film. . . .  Chances are even dedicated cinephiles have not had the opportunity to see many, if any, movies produced in Albania. Here's an excellent way to start. 

The Orphan Film Symposium is a partner (in a modest way) to the Albanian Cinema Project, which is making a big splash with its first public event in the US -- screening a newly restored feature film!  

Come to this free screening of The Second November, March 27.  But do e-mail your request for a seat, because this screening will certainly fill up. 


*   *   *  *
NYU's Department of Cinema Studies presents

The US Premiere of 
Nëntori i dytë (The Second November)

1982, 93 minutes, dir. Viktor Gjika
Followed by a discussion on the state of Albanian film preservation with Albanian filmmaker Fatmir Koci, Albanian American film producer and screenwriter Thomas Logoreci, Colorlab CEO Russ Suniewick, and Albanian Cinema Project director Regina Longo. 


Wednesday, March 27, 6:15pm
NYU Tisch School of the Arts
Department of Cinema Studies
721 Broadway, 6th Floor, Michelson Theater

*** RSVP to CinemaStudiesEvents@gmail.com
***Inline image 1

Most Albanian films made before 1991 were never translated into another language and are rarely screened outside of Albania. The Albanian Cinema Project's (ACP) newly launched preservation initiative is changing this fact, bringing a 'new' national cinema to international screens.

Our digital restoration of Viktor Gjika's 1982 patriotic drama Nëntori i dytë was completed just in time to celebrate 100 years of Albanian Independence from Ottoman rule (1912-2012). It premiered to a packed house at the 13th Festival of Albanian Film in Tirana, on November 3, 2102. And now, for the first time, will play for US audiences in the first ever English language adaption of Gjika's socialist realist epic, restored by Colorlab Corp.

Be part of the first American audience to screen Nëntori i dytë, and to hear firsthand accounts from Albanian filmmaker Fatmir Koci (Tirana Year Zero, 2001; Land of the Eagles, 2007;Time of the Comet, 2008), Albanian American film producer and screenwriter Thomas Logoreci, ACP Director Regina Longo, and Russ Suniewick, CEO of Colorlab Corp, who have formed ACP to help save and restore Albania's film heritage.

The campaign to relocate the collections of the Albanian national film archives to a new, mold-free facility is at the heart of our mission. Working with the support of the Albanian Ministry of Culture, the US Embassy in Tirana, the Association of Moving Image Archivists, the Orphan Film Symposium, the Library of Congress Audiovisual Archives and the Albanian American National Organization, the Albanian Cinema Project is dedicated to preserving, restoring, and promoting Albanian film heritage.

Co-sponsored by Wesleyan University and the Albanian Cinema Project.

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Dan Streible |  (917) 754-1401 
Assoc. Professor of Cinema Studies & Director of Graduate Studies
Moving Image Archiving & Preservation Program, Assoc. Director
Orphan Fim Symposium, director, www.nyu.edu/orphanfilm
NYU | Tisch School of the Arts | Department of Cinema Studies

* AMPAS Orphan Film Showcase @ Academy Film Archive, Hollywood, CA, May 10-11, 2013
** Orphans Midwest @ IU Cinema, Bloomington, IN, Sept. 26-28, 2013
*** Orphan 9, The Future of Obsolescence, @ EYE, Amsterdam, March 30 - April 2, 2014

Feb 28, 2013

A note for Chicago-areas moviegoers that the Music Box Theatre 70mm Festival wraps tonight with PLAYTIME by Jacques Tati, + this piece of direct animation by Danielle Ash & Jodie Mack. Made fot the 2012 Orphan Film Symposium, this will be its second-ever screening.

Camera/phone video taken inside Museum of the Moving Image:




hindsightƒ