Sharing. In this month during which so much media archiving has helped public memory of the 50th anniversary of earthlings visiting their moon.
"Daguerreotype of Earth's moon" (1840)
attributed to John W. Draper
2.75 x 3.25 inches
University Archives, Bobst Library, NYU
2.75 x 3.25 inches
University Archives, Bobst Library, NYU
The Orphans in Space DVD (2012) cover image comes from the Draper Family Collection, housed in the New York University Archives. The collection includes celestial photographs taken by John William Draper (1811-1882) and his son Henry Draper (1837-1882). Both were physicians, professors of chemistry, and amateur but innovative photographers.
The photograph derives from a 3.25" x 2.75" daguerreotype of the moon made by the father, probably on March 26, 1840. A newly-appointed professor at what was then named the University of the City of New-York, the elder Draper created the image from the rooftop of the university's main building on Washington Square (less than a block from where the collection now resides, in NYU's Bobst Library). Alongside its observatory, the rooftop featured a glass-enclosed photographic studio, where Draper and fellow faculty member Samuel F. B. Morse made some of the earliest daguerreotype portraits that year.
Rather than the first photograph of the moon taken, this image is the earliest one among those known to survive. As early as 1837, photologist John W. Draper experimented with the effects of light (including moonlight) on salted paper. In 1838-39, after Louis Daguerre invented his method of fixing photographic images on metal plates, French astronomers asked their countryman to record the moon, but his attempts failed to maintain focus as the satellite moved during his long exposure times. When knowledge of daguerreotypy reached New York, Draper used a camera literally made from a cigar box to render at least two images of the moon during the winter of 1839-40. The first, "about one-sixth of an inch in diameter," was overexposed, the silver iodide on the copper plate turning black. The second, "nearly an inch" in diameter, fixed the light of a waning gibbous moon. Draper called it "deficient in sharpness" and "confused," although the "position of the darker spots on the surface of the luminary was distinct" in this "stain."
"I placed a flat gas-burner (bat’s-wing) in a magic lantern, and received the image of one of the grotesque transparencies, on a plate three inches square: in half an hour, a very fair representation was obtained."
("Remarks on the Daguerreotype," American Repertory of Arts, Sciences, and Manufactures, July 1840, 401-4. Reproduced here.)
On March 23, 1840, Draper reported this limited success to the New York Lyceum of Natural History. Three nights later he recorded a last-quarter moon (i.e., a visible half moon), the positive image mirror-reversed by his telescope. This detailed daguerreotype became the source from which many copies derived. So many digital copies of this 1840 image now populate the internet, subject to so many manipulations of photographic variables, that it is difficult to discern that each derives from the same source. Some reverse the image horizontally, vertically, or both. Others switch the positive-negative values. Still others reproduce the later water-damaged daguerreotype plate; others the plate after its 1960s cleaning and restoration. Digital enhancements and alterations abound. Adding to the confusion of images, son Henry Draper became a prolific astrophotographer. After building an observatory at his home in 1860, he took more than a thousand images of the moon, and later the sun, planets, comets, and stars. These were reprinted in both the popular press and scientific literature, as well as on lantern slides, stereographs, and other formats.
The provenance of the 1840 John W. Draper daguerreotype is difficult to trace. From the beginning, the scientist himself re-photographed his own photographs. "There is no difficulty in making copies of Daguerreotype pictures of any size," he wrote. In the winter of 1839-40, "I made many copies of my more fortunate proofs . . . copying views on very minute plates, with a very minute camera." Later, these were enlarged "to any required size, by means of a stationery apparatus." What became of these daguerreotypes of daguerreotypes? In what ways did subsequent reproduction technologies alter the look of the original?
In 1960, some daguerreotypes were rediscovered amid a miscellany of Draper material, stored in the attic of Gould Memorial Library at NYU's University Heights campus in the Bronx. Before an extended loan to the Smithsonian in 1962, the NYU Photo Bureau made a copy photograph, which bears a confusing label: "First known photograph of the moon was taken by John W. Draper ca. 1839-40. The spots in this photo are caused by mold and water damage on the original daguerreotype, which apparently [?] no longer exists." Since 1993, when the moon photographs returned to the University Archives, experts have concluded that the daguerreotype seen here is most likely that taken by John Draper in 1840.
If so, its survival as an object happened against the odds. The senior Dr. Draper saw much of his work destroyed by an 1844 fire. Another devastating fire in 1866 obliterated the University Medical College, of which he was president. In addition to Draper's own papers and apparatus, the invaluable collections of the Lyceum of Natural History, which NYU had taken in, were completely consumed by the flames. After the fire, the New York Evening Post, recognizing the need to protect museums and archives, wrote on May 25: "What we want in New York is a great fire-proof building, sufficiently capacious to afford shelter to all the societies which possess valuable collections.”
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Dan Streible, with research contributions from Ashley Sena-Levine, Simon Baatz, Nancy Cricco [university archivist], Howard McManus, Len Walle, Deborah Jean Warner, and Gregory Wick. Special acknowledgement for Walter Forsberg, who willed the Orphans in Space DVD into being and who brought the Draper moon photograph to my attention in the first place. The medium-resolution digital copy of the framed daguerreotype is my amateur snapshot taken with an iPhone 4 when Nancy Cricco showed the original to us in 2011.
Slide show at 2014 Orphan Film Symposium, Eye Filmmuseum, Amsterdam.
Downloadable. Booklet (40 pages) for the two-DVD set Orphans in Space: Forgotten Films from the Final Frontier (NYU Orphan Film Project, 2012). Produced and edited by Walter Forsberg, Alice Moscoso, Dan Streible, and Jonah Volk. Booklet design by Kramer O'Neill.
