Jan 10, 2018

Program for the 11th Orphan Film Symposium

Here's what's programmed for the 11th Orphan Film Symposium, April 11-14, 2018. It's about LOVE. Full schedule will be published very soon.

Registration is open!  And open to all.
Join us at Museum of the Moving Image in Queens, NYC.  Click here to register.


Frontispiece:  Fox Movietone News outtakes [Dr. Fritz] Wittels on This Thing Called Love (1929) from U of South Carolina Moving Image Research Collections

Carolina Cappa (Museo del Cine de Buenos Aires) Films from La Pampa, Argentina: Domingo Filippini’s 
Galería Cinematográfica Infantil  (1927)  

Keynote  Jennifer Peterson (Woodbury U) Love, Loss, and Climate Change: Watching the Historical Nature Film Today (with newly scanned 16mm films from the David Shepard Collection, Hugh M. Hefner Moving Image Archive, University of Southern California)

Roni Grosz Albert Einstein Archive, Hebrew U) & Becca Bender (Lincoln Center for the Performing Arts / NYU MIAP) Elsa and Albert Einstein in Hollywood (1931) and the Leopold Godowsky Jr. Collection
Karen Falk (The Jim Henson Company) & Craig Shemin (The Jim Henson Legacy) The Early Films of Jim Henson

An Amateur League of Nations, A Database 
Charles Tepperman (University of Calgary) Příběh vojáka (A Soldier’s Story; Čeněk Zahradníček & Vladimír Šmejkal, 1934) and the 1938 International Amateur Movie Show
Alexander Stark (Philipps University, Marburg) “Help us help!”: German Postwar Charity Films by Elisabeth Wilms. Schaffende in Not (Working People in Trouble, 1948)
Eva Näripea (National Archives of Estonia) Forbidden[?] Love Behind the Iron Curtain: Peeter Tooming’s Sentimentaalne novell (A Sentimental Short Story1966)
Tzutzumatzin Soto (Cineteca Nacional México) Love at the (Permanent) Time of Political Repression in Mexico: Hare Krishna (Alfredo Gurrola, 1973)

Something Good 

Allyson Nadia Field (U of Chicago) & Dino Everett (U of Southern California) Something Good: A Rediscovered “Negro Kiss” (1898-99)
Terri Francis (Indiana U Black Film Center/Archive), Charlene Regester (UNC), & Lina Accurso (Alice B. Russell Micheaux Headstone Project) Looking for Alice: Love as Film Studies Methodology
Ina Archer (National Museum of African American History and Culture) "Someone to Watch Over Me": Newly Preserved Films, Discs, and Tapes from the NMAAHC Collection and the Great Migration Public Digitization Initiative (See and hear Cab Calloway, Elder Lightfoot Solomon Michaux, Ella Fitzgerald, and Kreisler's Bandstand.)

The Subject Is Sex

Barbara Miller (MoMI) The Variety Photo Plays Theater Collection of Posters for X-rated Movies, 1965-1983
Allison Whalen (UCLA Library) Releasing The Ids (1974) Love and Duality in Synanon
Oliver Gaycken (U of Maryland) & Sarah Eilers (National Library of Medicine) Love Doctors and Medical Media: Training Films for Physicians and Psychologists Providing Counseling for Sexual Dysfunction  

Hate and Love in Silent Cinema
Andrés Levinson (Museo del Cine) Premiere of the Rediscovered La Fiera Domada (Ideal Film, 1916/1923?)
Chen Biqiang (China Film Archive) & Zhang Zhen (NYU Asian Film and Media Initiative) Laogong zhi aiqing (Laborer’s Love, aka Romance of a Fruit Peddler, 1922) Restoration of Zhang Shichuan’s comedy, the oldest surviving Chinese film.
Marsha Gordon (NCSU) & Buckey Grimm (independent) A Love Letter to Herself: Camera-Woman Angela Murray Gibson Films Herself into History, 1921-1925

Matt Soar (Concordia U) Love Film Leaders, a compilation (2018)
Danielle Ash premieres her 70mm Love in Dimension 150 (2018)

Helen Hill Award presented to filmmaker Nazlı Dinçel

A 16mm film program of her works including Her Silent Seaming (2014), Solitary Acts #4, 5, & 6 (2015), Shape of a Surface (2017), Between Relating and Use (2018) and others, along with Sharing Orgasm: Communicating Your Sexual Response (Lin Yeiser, 1977)
Susan Courtney (U of South Carolina) moderator

The Center for Home Movies presents
Rob Anen (Old Westbury Gardens, Long Island) The 35mm Home Movies of John S. Phipps, 1916-1930
Louisa Trott (U of Tennessee) Self-fascination in Walther Barth’s Home Movies, including Fee (Germany, 1929)
Matt Malzkuhn (Gallaudet U) & Ted Supalla (Georgetown U)  Sign Language in Home Movies
Dwight Swanson (CHM) moderator

John Froats (collector) Computer Rendering on 16mm: A. Michael Noll at Bell Labs, Patterns (1964-65)
Jacqueline Stewart (U of Chicago) & Candace Ming (South Side Home Movie Project) Robert Patton Filmed Helicopters, 1969-1970s
Kathleen Maguire (The Exploratorium) Ivan Dryer’s Laserium and Laserimage (1972)
Simon Tarr& Evan Meaney (U of South Carolina) VRchive : Finding Archival Moving Images with Tactile Technology
Bill Brand (BB Optics) moderator

Patriotism and World Citizenship
Mila Turajlic (filmmaker, Belgrade/Paris) The Labudović Files: Tito’s Cinematographer Stevan Labudović (1926-2017), Yugoslav Newsreels, and the Non-Aligned Movement in Algeria

From Brazil with Love 
Rafael de Luna (Federal Fluminense U, Brazil) A 9.5mm film of the Rio beach resorts:  Balneario da Urca (Brazil, ca. 1933) from the Collection of LUPA-UFF
Beatriz Rodovalho (U Sorbonne Nouvelle - Paris 3) & José Quental (U Paris 8) Family Films from the Alberto Sampaio Collection (1920-1930), Museu de Arte Moderna do Rio de Janeiro
Paola Prestes Penney (U of São Paolo) Fifty Years of Partnership: Dance Films from the Herbert and Maria Duchesnes Collection (1943-1990)

Small-gauge Loves
Isabel Wschebor Pellegrino (U de la República, Montevideo) Rescuing the Science Film Comportamiento Sexual y Reproducción de Bothriurus Bonariensis (Plácido Añón, Uruguay, 1959)
Maria Fernanda Arias Osorio (U de Antioquia, Colombia) Excerpts from the Restored 8mm Experimental Romantic Narrative María (Enrique Grau, Colombia, 1966)
Juana Suárez  (NYU APEX) moderator

Archival Education about Orphan Works
Howard Besser (NYU MIAP) moderator
Dimitrios Latsis, Isaac Prusky (Ryerson U)

Amateur Collectors and Collections
Brigitte Paulowitz (Lichtspiel / Kinemathek, Bern) The Richard Ernst Collection of 17.5mm and 35mm Family Films, 1914-1932
Brian Meacham (Yale U) The “Cynniewink” Sets Sail: The Films of S.W. and Cynthia Childs -- I’d Be Delighted To! (1932)
May Haduong Sean Savage (Academy Film Archive) Together Un/Known: Archival Ethics and the Case of Acquisition 6130 
Lindsay Zarwell (USHMM) Robert Gessner Films the Rise of Anti-Semitism in Europe and the Middle East, 1934-35 

Liz Czach (U of Alberta) “The Girls,” Lisa Chickering and Jeanne Porterfield: Trailblazers of Travel Lecture Filmmaking,1959-1979
Ting-Wu Cho (NYU) Screen Representations of Taiwanese Aborigines: Wild Men of Formosa (US, 1921), Going South to Taiwan (Japan, 1937), and Happenings in Ali Shan (China, 1949)
XFR Collective (Marie Lascu, Michael Grant, & Brendan Allen) New Video Rescues from the Surry (Maine) Arts at the Barn, 1986-88 (and the Leningrad Amateur Opera Company)

Comparing editions of Three American Beauties (Edison, 1906) from Museum of Modern Art, Library of Congress, National Library of Norway, and BFI National Archive, + EYE’s Buona Sera Fiori! (1909)

Jeff Lambert (National Film Preservation Foundation) & Frank Roumen (EYE Netherlands Filmmuseum) with the newly preserved short comedy Cupid in Quarantine (1918)

Closing screening Todd Wiener (UCLA) introducing recent restorations from the UCLA Film & Television Archive, including Nikolai Ursin's Behind Every Good Man . . . (ca. 1967) and a very special surprise screening TBA

Moderators and respondents include Alia Ayman (Zawya Cinema, Cairo), Anna McCarthy (NYU), Charles Musser (Yale), and Michael Loebenstein (Austrian Filmmuseum).

Saturday, before dinner,

A Screening in  Tribute to Stephen Parr and His Oddball Films and Videos 

Stephen Parr at the 2012 Orphan Film Symposium. 
Programmed by Skip Elsheimer, Andrew Lampert, Regina Longo, Greg Pierce, Antonella Bonfanti, Jeff Lambert, Genevieve Havemeyer-King

Registration is open!  Join us at Museum of the Moving Image in Queens, NYC.