Orphans X : Sound
April 6-9, 2016 at the Library of Congress
Packard Campus for Audio-Visual Conservation
Culpeper, Virginia
Full program will be announced soon.
Among the many presentations:
Robert Gitt & Robert Heiber (Chace Foundation) A Century of Sound: The Histories of Sound in Motion Picutres, an evening of screenings
Matt Soar (Concordia U) Sound the Standardized Film Leader: Lost Leaders #18, Handwritten Universal (PH22.55-1966)
Greg Wilsbacher (U of South Carolina Moving Image Research Collections) The Movietone Project, and a screening of British Actors and Actresses -- outtakes (Fox Movietone News, 1928)
Screenings by the 2016 Helen Hill Award recipient Sasha Waters-Freyer, filmmaker
Bill Morrison Interviewing the LOC Paper Print Collection curators Howard Walls and Kemp Niver as research for The Film of Her (1996)
Sandra Schulberg Rediscoveries from IndieCollect
Dennis Doros & Amy Heller (Milestone) Ronald K. Gray's NYU student film, Transmagnifican Dambamuality (1976)
Julie Brown (U of London) & Julie Hubbert (U of South Carolina) Music Silent Films
Anke Mebold (Deutsches Filminstitut) Tonbilder from the Neumayer Collection, 1908-09: Synchronizing Discs and Films from Deutsche Bioscop and Alfred Duskes
Céline Ruivo (Cinémathèque française) Restoration of Premier nocturne en fa dièse majeur de Chopin (Gaumont-Petersen-Poulsen, 1928) with pianist Victor Gille
Paula Félix-Didier, Andrés Levinson, & Leandro Listorti (Museo del Cine de Buenos Aires) Variedades sonoras Ariel N 1: "Mosaico Criollo" (Eleuterio Iribarren, 1929) et al.
Heather Sabin (Academy Film Archive): Academy preservation of The Sound Man (1950) and Walter Damrosch Visits Schenectady and Sees Picture of Sound (1929)
Hilde D'haeyere (University College Ghent, Belgium) "Cannibals of the Deep”: Mack Sennett's The Trail of the Swordfish (1931)
Stephen Bottomore (independent researcher) The Selsior System Dance Films: [Ernest Belcher/Dorothy Edwards dancing] (Boris Sagal, 1913-14)
Arber Jashari (National Library of Kosova) Preserving Kosova-film: Lost Sound and The Dance of the Rufais
Margaret A. Compton (U of Georgia) A Mute Talkie Meets the Digital Humanities: Wedding on the Volga (1929) Yiddish theater star Mark Schweid’s directorial debut
Gregory Zinman (Georgia Tech) The Archival Silences of Nam June Paik’s Etude (1967-68), "one of the earliest digital artworks ever created by an artist who was not first trained as a computer engineer." + a screening of Paik's Electronic Opera #1 (1969)
Susan Courtney (U of South Carolina) on the sound of Operation A-Bomb (RKO, 1952)
Viviana García Besné, Paulina Suárez-Hesketh, & Michael Ramos Araizaga, Morelos Mezcla: The collective of Permanencia Voluntaria Archivo Cinematográfico presents fragments of Mexican cinema (1930s-70s)
Sound and Color: Parallels and Intersections, Technology and Aesthetics
• Joshua Yumibe (Michigan State U) Color Film and the Coming of Sound
• Ulrich Ruedel (U of Applied Sciences, Berlin) Film Sound and Color since 1929
• Heather Heckman (U of South Carolina) Continuous Monochrome: The Problem of the Soundtrack in Chromogenic Color Printing
Rick Prelinger (UC Santa Cruz) Silences within Moving Image Archival Practice
Josephine McRobbie (NCSU) with Andy Uhrich (Indiana U) New Sounds for Old Films about Sound, video remix and live performance of educational films about sound
Evan Meaney (U of South Carolina) introduces Big_Sleep™ (2015, with Amy Szczepanski)
The Radio Preservation Task Force: New Histories of Radio
Josh Shepperd (Catholic U), Stephanie Sapienza (Maryland Institute for Technology in the Humanities), Shawn VanCour (NYU), Jenny Doctor (Syracuse U), Alan Gevinson & Rachel Curtis (American Archive of Public Broadcasting), Brian DeShazor and Joseph Gallucci (Pacifica Radio Archives)
Nico de Klerk, Joachim Schätz, & Katalin Teller (Ludwig Boltzmann Institute for History and Society, Vienna) Travel Lecture Films of Colin Ross ‘mit ohne Sound’. Screenings to include Achtung Australien! Achtung Asien! Das Doppelkontinent des Ostens (Attention Australia! Attention Asia! The Twin Continents of the East, 1930)
Genevieve Havemeyer-King (Wildlife Conservation Society, NDSR) and Pamela Vizner Oyarce (Second Run Media Preservation, Santiago) Audio Reconstruction for Andrea Callard's Super 8 Film Some Food May Be Found in the Desert (1977)
Bill Brand (BB Optics) Preserving Reflections (Madeline Tourtelot, 1955; music by Ed Bland) for the Flaherty Film Seminar, Chicago Film Archives, and NYU MIAP Program
Jeff Martin (New Art Trust) Recorded Voice of Lt. Edward W. Stewart (1943): Amateur Recordings Short-Wave Broadcasts from Japanese POW Camps
&
Matt Barton (LOC) U.S. Marine Corps Combat Recordings, 1943-1945
&
Melissa Dollman (Media Research Archivist) Listening to 175 Rosies: Audio from the Records of The Life and Times of Rosie the Riveter Project, 1974-1980
Dan Einstein & Mark Quigley (UCLA Film & Television Archive) Preserving (presumably lost episodes of) The Goldbergs: 600 original vinyl transcription disks
Walter Forsberg (Smithsonian National Museum for African American History and Culture) & Charles Musser (Yale U) Music in the Henry Wallace Campaign of ’48: Count Us In (Union Films, 1948)
Blake McDowell (Smithsonian NMAAHC) Paul Bowles Film Scores; and the amateur film, Venus and Adonis (Harry Dunham and Jules V. D. Bucher, 1935)
David Gibson (LOC) The Question of Abandonware in Video Game Preservation
Mona Jimenez (NYU APEX Ghana) Seprewa Discoveries - Access In Action (2015, Seth Paris and Fidelia Serwaa Ametewee) music from the JH.K. Nketia Archives, U of Ghana
EYE Film Museum, Guy Sherwin, Optical Sound Films (1971-2007)
Laurie O'Brien (Rochester Institute of Technology) Peephole Cinema installation, "Kinetoscopic Records" (2015)
+ the state of and stakes in Orphan Works legislation and copyright reform.
